The Apiary Studio

singing, voice acting, production

Hi, I’m Debbie. I have a BA in Music, and can read music. I have been doing a cappella arrangements since 1990. I received a certificate in the theory and practice of audio recording in 1992 (wow, remember cutting tape with razor blades?).

I’ve always been a techy geeky singer. I was the only 7-year-old I knew (in 1979) with an impression of Patti LuPone’s Evita. My prized possession from ages 4 through 12 was a Dictaphone cassette recorder. I still have the tapes of my many childhood interviews and “radio shows.”

By the time I was a teen, the Dictaphone made me painfully aware of my Nassau County, Long Island accent. I watched a lot of Monty Python and worked hard to pronounce all the letters in a word. I can bring back the New Yawk accent as a character.

During college, I sang in and music directed the Amalgamates, the only co-ed a cappella group at Tufts (at the time). I arranged dozens of songs for male and female voices. I also performed in the Renaissance Music Ensemble, had a variety of mezzo soprano solos with the choir, and was the Sorceress in the school production of Dido and Aeneas.

By the end of college, I had built my first home recording studio. I recorded my voice over and over and over and over, taking a few pages from the Todd Rundgren school of layering. I did my own arrangements and sang all the parts into a Tascam 688 MidiStudio.

I spent 2016 taking a mountain of voiceover classes in commercial, narration, and character at VoiceOne in San Francisco. I was known for having a spectrum of diction and articulation from crisp and precise to a bit more casual and conversational, where letters aren’t that crisp, to the fast-talking, letter-removing Long Island accent.

I’m not represented by any agency nor am I in any union.

One-Take Karaoke

Rules:

  • No editing, punch-ins, corrections, autotuning, melodyning, etc.
  • If I get something wrong or sing out of tune, it stays.
  • One take for the lead track.
  • Breaths left in.
  • Produce as fast as possible. Sure, my voice could be better produced, but the fun of these is to do everything in about 20 minutes.
  • Just get it done even if it’s imperfect.

5 tracks were recorded for “There Must Be An Angel” by The Eurythmics.